MÚSICA DE INDIA
MÚSICA DE INDIA
★AHUJA, R.L., 1964, The Theory of Drama in Ancient India, Ambala Cantt, The Indian Publications.
★ALLEN, Matthew Harp, 1998, “Tales Tunes Tell: Deepening the Dialogue between Classical and Non-Classical in the Music of India” Yearbook for Traditional Music 30: 22-52.
★ALLEN, Matthew y VISWANATHAN, T, 2004, Music in South India: Experiencing Music, Expressing Culture, New York: Oxford University Press.
★AUBOIX, François, 2003. L’Art du Raga. La musique classique de l’Inde du Nord, s.l., Minerve.
★AYYANGAR, Ranganayaki, 1978, “Composition in South Indian Music", The World of Music 20 (2): 136-137.
★BABIRACKI, Carol M., 1991, “Tribal Music in the Study of the Great and Little Traditions of Indian Music”, en Comparative Musicology and Anthropology of Music: Essays on the History of Ethnomusicology (Bruno Nettl y Philip Bohlman, eds.), Chicago, The University of Chicago Press.
★BAKE, Arnold A., 1960, “La musique indienne”, Histoire de la Musique, (Enciclopédie de la Pléiade), París, Gallimard, vol. 1, pp. 319-342.
★BAKE,, Arnold, 1978 [1957], “La musica nell’India”, Storia della Musica (The New Oxford History of Music), vol I: Musica antica e orientale (A cura di Egon Wellesz), Milano, Feltrinelli, pp. 217-250 (ed. orig.: 1957, Ancient and Oriental Music, Oxford University Press, 1957).
★BHAGYALEKSHMI, S., 1990, Ragas in Carnatic Music, Nagercoil, CBH Publications.
★BHAGYALEKSHMY, Dr. S. [1991], 1999, Lakshanagranthas in Music, Nagercoil, CBH Publica- tions.
★BHAGYALEKSHMY, Dr. S., [1996] 2000, Karnatic Music Reader 1, Nagercoil, CBH Publications
★BHAGYALEKSHMY, Dr. S., 1997, Karnatic Music Reader. Nagercoil, CBH Publications.
★BHAGYALEKSHMY, Dr. S., 2004, Karnatic Music Reader (4 Vol.), Nagercoil, CBH Publications.
★BHARATA MUNI, 2013, NĀTYAŚĀSTRA (Tratado fundamental de Poética, Composición y Artes Escénicas), Estudio preliminar, traducción y notas de Iván González Cruz, Valencia, Letra Capital.
★BHATKHANDE, V. N., 1934, A Short Historical Survey of the Music of Upper India, Bombay.
★BOLLAND, David, 1980, A Guide to Kathakali, New Delhi: Sterling Paperbacks.
★ CÁMARA DE LANDA, Enrique e Ignacio CORRAL BERMEJO, 2006 a, Mridangam, Valladolid, Universidad de Valladolid (Colección: Música y Artes Escénicas de la India).
★CÁMARA DE LANDA, Enrique e Ignacio CORRAL BERMEJO, 2006 b, Vina, Valladolid, Universidad de Valladolid (Colección: Música y Artes Escénicas de la India).
★CÁMARA DE LANDA, Enrique y Grazia TUZI, 2006, Sitar, Valladolid, Universidad de Valladolid (Colección: Música y Artes Escénicas de la India).
★CÁMARA DE LANDA, Enrique; GONZÁLEZ LEGIDO, María y KESAVAN MAKESWARI, Gayatri, 2006, Canto carnático, Valladolid, Universidad de Valladolid (Colección: Música y Artes Escénicas de la India).
★CÁMARA DE LANDA, Enrique, CORRAL BERMEJO, Ignacio, DE LA FUENTE GARCÍA, Mónica, GONZÁLEZ LEGIDO, María, RODRÍGUEZ MARÍN, Guillermo. 2018[2006]. Sangita y Natya. Música y artes escénicas de la India, Valladolid, Universidad de Valladolid.
★CANZIO, Ricardo, 1987, “Aspects de l’improvisation dans la musique de l’Inde du Nord, en L’improvisation dans les musiques de tradition orale, Bernard LORTAT-JACOB (ed.), Paris, Selaf, pp. 189-207.
★CHAITANYA, Krishna, 1987, Arts of India, Nueva Delhi, Abhinav.
★CHAUDHARY, Subhadra, 1997, Time Measure and Compositional Types in Indian Music. A historical and Analytical Study of Tala, Chanda and Nibaddha Musical Form (Hema Ramathan, trans.), New Delhi, Aditya Prakashan.
★CHELLADURAI, P.T. [1991], 2000, The Splendour of South Indian Music, Dindigul, Vaigarai Publishers.
★CLAYTON, Martin, 2000, Time in Indian Music, Oxford, Oxford University Press.
★COOMARASWAMY, Ananda, 1968, The Dance of Siva, New Delhi, Sagar Publications.
★COOMARASWAMY, Ananda, 1987, The mirror of gesture. Abhinaya Darpana de Nandikesvara, N. Delhi, Munshiram Manoharlal.
★CROSSLEY-HOLLAND, Peter, 1972, “India”, en Historia General de la Música, A. Robertson y D. Stevens (directores), Madrid, Istmo. (ed orig: 1966, The Pelican History of Music, Harmondsworth, Middlesex, England, Penguin Books Ltd.).
★DANIÉLOU, Alain, 1949, Northern Indian Music, Londres, C. Johnson.
★DANIÉLOU, Alain, 1980, The Ragas of Northern Indian Music, Nueva Delhi, Munishram Manoharlal Publishers.
★DAY, C.R., 2003, The music and musical instruments of Southern India and the Deccan, New Delhi, D.K. Publishers Distributors (P) Ltd.
★DE LA FUENTE GARCÍA, Mónica, 2006 a, Teatro Kathakali, Valladolid, Universidad de Valladolid (Colección: Música y Artes Escénicas de la India).
★DE LA FUENTE GARCÍA, Mónica, 2006 b, Danza clásica Bharata Natyam, Valladolid, Universidad de Valladolid (Colección: Música y Artes Escénicas de la India).
★DEVA, B.B., 1977, Musical Instruments, Delhi, National Book Trust.
★DEVA, Dr. B.Chaitanya, 1980, Indian Music, New Delhi, Indian Council for Cultural Relations.
★DEVA, Dr. B.Chaitanya, 1993, An introduction to Indian Music, New Delhi, Publications Division.
★DEVA, B. Chaitanya, 2000, Musical Instruments of India. Their History and Development, Nueva Delhi, Munshiram Manoharlal Publishers.
★DICK, Alastair, 1984, “Sitar”, The New Grove Dictionary of Musical Instruments (Stanley Sadie, ed.).
★DORAIRAJA, M. Iyer [1991], 1997, Mridangam Swabodhini, Chennai, The Karnatic Music Book Centre.
★ESHWAR Jayalakshmi, 2002, Bharata Natyam How to…, Delhi, B.R. Publishing Coorperation.
★GANAPATI STHAPATI, V., 2002, Indian Sculpure and Iconography, forms and measurements, Pondicherry, Sri Aurobindo Institute of Research in Social Sciences.
★GASTON, Anne-Marie 1992, "Dance and the Hindu woman: Bharata Natyam reritualized", en Roles and rituals for Hindu Women (Julia Leslie, ed.). N.Delhi, Motilal Banarsidas”. pp. 149-171.
★GAUTAM, M.R., 1993, Evolution of raga and tala in Indian music, New Delhi, Munshiram Manoharlal Publishers.
★GAUTAM, M. R., 2001, The Musical Heritage of India, Nueva Delhi, Munshiram.
★GHOSH, Manomohan, ed., 1967, Natya Sastra de Bharata Muni, vol. I Calcutta, Manisha, vol. II Calcutta 1956. Asiatic Society.
★GHOSH Manomohan, ed., 1992, Abhinayadarpanam de Nandikesvara, Calcuta, Manisha Granhalaya.
★GOPAL, Ram, 1951, Indian Dancing, Bombay, Asian Publication House.
★GOPALAM, Sharada, 1991, Facets of Notation in South Indian Music, Delhi, Sundeep Prakashan.
★GROESBECK, Rolf, 1995, Pedagogy and performance of ‘Tayambaka’, Vol I y II. PhD Thesis, Ann Arbor, UMI Dissertations Service.
★GUPTA, C.B., 1954, Indian Theatre, Banaras, Motilal Banarasida.
★HAMEL, Peter Michael, 1975, Through Music to the Self, Berna/Munich/Viena, Scherz Verlag.
★HAMILTON, James Sadler, 1994, Sitar Music in Calcutta. An Ethnomusicological Study, Cal- gary, James Sodler Hamilton.
★HARDGRAVE, Robert Jr. & M. SLAVEK, Stephen, 1997, Musical Instruments od North India. Eighteen Century Portraits by Baltazard Solvyns, Nueva Delhi, Manohar.
★HORNBOSTEL, Erich M. Von y Curt SACHS, 1914, “Systematik der Musikinstrumente, ein Versuch”, Zeitschrift Ethnologie 46: 553-90.
★IYENGAR, B. R. C. 2003, Raga Sudha. Understanding Carnatic Music, Vidyanagar, Vvee Offset Printers.
★IYER, K. Bharata, 1934, Kathakali: The sacred Dance-Drama of Malabar, Londres, Luzac and Company.
★JAIRAZBHOY, N. A., 1971, The Rags of North Indian Music, Middletown, Wesleyan University Press.
★JANE PILAR, Agatha, 1993, 1994, 2000, Kathakali Plays in English, (vol. I, vol. II, vol. III), Kottayam, D.C. Offset Printers.
★JAYASHANKER, S., 1997, Temples of Kerala “Census of India. Special Studies Kerala”, New Delhi, The Controller of Publications.
★JAYASHANKER, S., 2001, Temples os Kerala, New Delhi, Manager Government of India Press.
★JAYASRI, Banerjee, 1986, “The Methodology of Teaching Indian Classical Music”, The Journal of the Sangeet Natak Akademi 79: 11-48.
★KALE, Pramod, 1974, The Theatric Universe, a study of the Natya Sastra, Bombay, Popular Prakashan.
★KALISWAL, Suneera, 2001, Classical Musical Instruments, Delhi, The Author.
★KARTOMI, Margaret, 1990, “Indian and Sri Lanka Classifications from Ancient to Modern Times” en On Concepts and Classifications of Musical Instruments, Chicago, The University of Chicago Press.
★KAUFMAN, Walter, 1976, The Ragas of South India, Bloomington (Indiana), Indian University Press.
★KEITH, A.B., 1954, The Sanscrit Drama, Oxford University Press.
★KHOKAR, Mohan, 1979, Dancing Bharata Natyam, Bombay, Bharatiya Vidya Bhavan.
★KHOKAR, Mohan, 1984, Traditions of Indian Classical Dance, New Delhi, Clarion Books.
★KHOKAR, Mohan, 2002, Bharata natyam, Eternal India, N. Delhi, Rupa and Co.
★KLIGER George, ed., 1993, Bharata natyam in Cultural Perspective, N. Delhi, Manohar publishers.
★KOTARY, Sunil, ed., 1979, Bharata Natyam: Indian Classical Dance Art, Bombay, Marg Publications.
★KRAUSE, Karl Christian Friedrich, 1827, Darstellungen aus der Geschichte der Musik, Göttingen, s.e.
★KRISHNA, S., 2001, Kerala Talas (Dissertation), Thiruvananthapuram, Departament of Music, University of Kerala.
★KUMARI, K y J. STOCKHOUSE, 1987, Classical music of south India. Karnatic tradition in western notation, New York, Pendragon Press.
★L’ARMAND, Kathleen & Adrian L’ARMAND, 1978. “Music in Madras: The Urbanization of a Cultural Tradition”, en Eigth Urban Musical Cultures. Tradicion and Change, Bruno Nettl (ed.), Urbana/Chicago/Londres, University of Illinois Press, pp. 115-145.
★LESLIE, Julia. ed., 1992, Roles and rituals for Hindu Women, N. Delhi, Motilal Banarsidas.
★LEVY, Mark, 1982, Intonation in North Indian Music. A Select Comparison of Theories with Contemporary Practice, Nueva Delhi, Biblia Impex Private Limited.
★MAHILLON, Victor-Charles, 1893, “Essai de classification méthodique de tous les instruments anciens et modernes”, en Catalogue descriptiv et analytique du Musée Instrumental du Conservatoire Royal de musique de Bruxelles, 2ª ed., Gand, Hoste.
★MALLIKARYUNA, Akella S., 2001, Indian Genius in Talaprastara, Hyderabad, Sai Sannidhi Sangita Publications.
★MALLIKARYUNA, Akella S., 2003, Systematisation of Prastara Details of Deshi Talas, Hyderabad, Sai Sannidhi Sangita Publications.
★MALM, William P., 1985 [1977], "India" en Culturas Musicales del Pacífico, el Cercano Oriente y Asia, Madrid, Alianza (ed. Orig.: 1977, Music Cultures of the Pacific, Near East and Asia, Prentice-Hall).
★MANUEL, Peter, 1993, Cassette culture: popular music and technology in North India, Chicago [etc.], University of Chicago Press.
★MASSEY, Reginald & Jamila [1993], 1996, The Music of India, London, Khan & Averill.
★MENON K.P.S., 1991, A dictionary of Kathakali, Madras, Orient Longman.
★MENON, Indira, 1999, The Madras Quartet. Women in Karnatak Music, New Delhi, Rolli Books.
★MINER, Allyn, 1993, Sitar and Sarod in the 18 th and 19 th Centuries, Wilhelmshaven, Florian Noetzel Verlag.
★MITRA, Rajyeswar, 1986, “Reflections on Methods of Music Teaching”, The Journal of the Sangeet Natak Akademi 79: 49-52.
★MUKERJI, D. P., 2002, Indian Music. An Introduction, Nueva Delhi, Rupa.
★NAMBISAN, A.S.N., 2005, Thalangal Thalavadyangal (en malayalam), Thrissur, Kerala Sahitya Akademi.
★NELSON, David, 2000, “Karnatak Tala” en The Garland Encyclopedia of World Music. Arnold Alison(ed.). New York and London. Garland Publishing Company. Vol. 5 (South Asia: The Indian subcontinent), pp. 138-61.
★OMANAKUTTY, K., 1996, Sangita Sastra. Book I. (A book for Pre –degree Music Course), Trivandrum, Sangita Bharati.
★PANCHAL, Goverdhan, 1984, Kuttampalam and Kutiyattam, New Delhi, Sangeet Natak Academy.
★PANNIKAR, Kavalam N., 1985 (04/05), “Kinetics of Sopanam Music and Mohini Attam”, en Sri Swati Tirunal Sangeeta Sabha, s.n., s.p.
★PANIKKAR, Kavalam, N., 1991, Folklore of Kerala, N. Delhi, National Book Trust.
★PARASSALA, Ravi, 1996, Mridangabodhini (Malayalam), Thiruvananthapuram, The State Institute of Languages.
★PARTHASARATHY, T.S., 1982, “The Role of Laya in Music”, The Journal of the Madras Music Academy 53: 161-164.
★PARTHASARATHY, K., [2000]2001, ABC of Carnatic Music & Dance, Chennai (Madrás), Students Offset Service, 3ª ed. (1ª ed.: 2000).
★PESCH, Ludwig, 1993 (2ª ed.), Raga Dhana. An Alpha-numerical directory of ragas, s.l., Natana Kairali.
★PESCH, Ludwig, 1999, The Illustrated Companion to South Indian Classical Music, Delhi, Oxford University Press.
★PLATHOTTAM, Dr. Tomy, 2004, South Indian Harmony, Thiruvananthapuram, MCBS Kalagramam.
★POWERS, Harold S., 1980, “India, Subcontinent of: 1) The Region, its Music and Music History; 2) Theory and Practice of Classical Music”, The New Grove Dictionary of Music and Musicians, London, Macmillan Press Limited. Vol. 9, pp. 69-141.
★RAHAMIN, Fyzee, 1925, The Music of India. Londres, Luzac & Co.
★RAI, R.N, 1992, Theory of Drama: A comparative Study of Aristotle and Bharata, New Delhi, Classical Publishing Company.
★RAJAGOPALA, S. Iyer [1988], 2000, Sangeetha Akshara Hridaya (a new Approach to Tala Calculations), Bangalore, Gaana Rasika Mandali.
★RAJENDRAN, C., ed., 2002, Living Traditions of Natyasastra, Delhi, New Bharatiya Book Corporation.
★RAMACHANDRAN, K., 1962, Mathematical Basis of the Thala System (carnatic music), Madras, The Huxley Press.
★RAMACHANDRAN, N.S., 1973, “Venkatamakhi and the Raga System”, The Journal of the Sangeet Natak Akademi 28: 24-29.
★RAMANATHAN, N., 1999, Musical Forms in Sangitaratnakara, Chennai, Sampradaya.
★RAMANNA, Raja, 1993, The Structure of Music in Raga and Western Systems, Bombay, Bharatiya Vidya Bhavan.
★RAMANUJAN, A.K., 1991, “Repetition in the Mahabharata” en Essays on the Mahabharata. Arvind Sharma (ed.), Leiden: E. J. Brill, 1991, pp. 419-420.
★RANADE, Ashok D., 1997, Hindustani Music, Nueva Delhi, National book Trust.
★RANADE, Ashok D., 1998, Essays in Indian Ethnomusicology, Nueva Delhi, Munshiram Manohartal.
★RANGANATHAN, Thanjavur, 1978, “Rhythm in South Indian Music”, The World of Music 20 (2): 142-143.
★RANGARAMANUJA AYYANGAR, R. [1972], 1993, History of South Indian (Carnatic) Music. From Vedic Times to the Present, Bombay Vipanc(h): Cultural Trust.
★RAO KRSHNA, U.S., 1980, A dictionary of Bharata Natyam, Madras, Orient Longman.
★RECK, David, 1996, “Indian/South India” en Jeff Todd Titon (ed.): Worlds of Music, New York, Schirmer Books.
★RELE, Kanak, 1992, Mohiniattam: the Lyrical Dance, Bombay, Nalanda Dance Research.
★ROWELL, Lewis, 1998, Music and Musical Thought in Early Indian, New Delhi, Munshiram Manoharlal Publishers Pvt. Ltd.
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castellano: s.d. Historia universal de los instrumentos musicales, Buenos Aires, Centurión).
★SACHS, Curt, 1943, The Rise of Music in the Ancient World, East and West, New York, W.W.Norton and Co.
★SACHS, Curt, 1962, The Wellsprings of Music,The Hague, Martinus Nijhoff.
★SACHS, Curt, 1966 [1930], Musicología Comparada, Buenos Aires, EUDEBA (1ª ed.: 1930, Vergleichende Musikwissenschaft-Musik der Fremdkulturen, Heidelber, Quelle und Meyer).
★SAHAI, Krishna, 2003, The story of a dance, N. Delhi, Indialog Publications.
★SAMBAMURTHY, P., 1998 (8ª edición), South Indian Music. Book IV, Madras, The Indian Music Publishing House.
★SAMBAMURTHY, P., 2002 (8ª edición), South Indian Music. Book V, Madras, The Indian Music Publishing House.
★SAMBAMURTHY, P., 2003a (6ª edición), South Indian Music. Book VI, Madras, The Indian Music Publishing House.
★SAMBAMURTHY, P., 2003b, The Melakarta Janya-raga Scheme, Chennai (Madras), The Indian Music Publishing House.
★SAMBAMURTHY, P. 2005a (18ª edición): South Indian Music. Book I, Madrás, The Indian Music Publishing House.
★SAMBAMURTHY, P., 2005b (15ª edición), South Indian Music. Book II, Madras, The Indian Music Publishing House.
★SAMBAMURTHY, P., 2005c (13ª edición), South Indian Music, Book III, Madras, The Indian Music Publishing House.
★SANGEET NATAK AKADEMI, 2002, Va¯dya-Dar san (an exhibition of Indian musical instruments), New Delhi, Sangeet Natak Akademi.
★SANKARAN, Trichy, 1994, The Rhythmic Principles and Practice of South Indian Drumming, Toronto, Lalith Publishers.
★SARABHAI, Mallika, ed., 1994, Performing Arts of Kerala, Middletown, Grantha Corperation.
★SCHNEIDER, Marius, 1979, Il significato della musica, Milán, Rusconi Libri. (1ª ed.: 1970).
★SEN, A. K., 1994, Indian Concept of Rhythm, Delhi, Kanishka Publishers.
★SERBJEET SINGH, Shanta, ed., 2000, Indian Dance The Ultimate Metaphor, N. Delhi, Bookwise India.
★SHANKAR, Vidya, 1983, The Art and Science of Carnatic Music, Chennai (Madrás), Parampara.
★SIVARAMAMURTI, C., 1974, Nataraja in Art, Thought and Literature, New Delhi: National Museum.
★STRANGWAYS, Fox, 1914, The Music of Hindostan, Londres, Oxford University Press.
★SUBRAMANYAM, Padma, 1963, Karanas in Dance and Sculpture, Ph.D. Dissertation. Madras, Annamalai Unversity.
★SUBRAMANYAM, Padma, 1979, Bharata’s Art: Then and Now, Bombay, Bulabhai Memorial Institute.
★TAGORE, Sourindo Mohun (nombre real: Saurindramohana Thakura). 1870, Jatiyasangitavi- sayakaprastava (“Propuesta Sobre la Música Nacional”), Calcuta, s.e.
★TAGORE, Sourindo Mohun, 1875 (1ª edición), Hindu Music from various authors, Calcuta.
★TAMPY, K.P. Padmanabha, 1963, Kathakali: An Indigenous Art Form of Kerala, Calcutta, Indian Publications.
★TARLEKAR, G.H., 1991, Studies in the Natya Sastra, Delhi, Motilal Banarsidass Publishers.
★ The New Grove Dictionary of Musical Instruments (Stanley Sadie, ed.), Macmillan Press (1ª ed.: 1984).
★THIELEMANN, Selina, 1997, The Darbhanga Tradition Dhrupada in the School of Pandit Vidur Mallik, Varanasi, Indica Books.
★TRÂN VAN KHÉ, 1983 “India”, en DEUMM (Dizionario Enciclopédico Universale della Musica e dei Musicisti; Alberto Basso, dir.), Torino, UTET.
★VAIDYANATHAN, Saroja, 1996, Bharata natyam, An In-depth study, N. Delhi, Ganesha Nataraja.
★VAIDYANATHAN, Saroja, 2000, The Science of Bharata Natyam, Delhi, Kanishka.
★VARADPANDE, M.L., 1979, Traditions of Indian Theatre, N. Delhi, Abhinav Publications.
★VARADPANDE, M.L., 1982, Krisna Theatre in India, N. Delhi, Abhinav Publications.
★VARADPANDE, M.L., 1983, Religion and Theatre, N. Delhi, Abhinav Publications.
★VARADPANDE, M.L., 1987a, Invitation to Indian Theatre, N. Delhi, Arnold Heinemann.
★VARADPANDE, M.L., 1987b, History of Indian Theatre, N. Delhi, Abhinav Publications.
★VAN DER MEER, Wim, 1986, “Teaching Indian Music: Coping with a Changed Environment”, The Journal of the Sangeet Natak Akademi 79: 53-57.
★VARMA, K.M., 1957, Natya, Nrtta and Nrtya; Their meaning and Relation, Bombay, Orient Longman.
★VATSYAYAN, Kapila, 1974, Indian Classical Dance, N. Delhi, Publications Divition, Ministry of Information and broadcasting, Government of India.
★ VATSYAYAN, Kapila, 1977, Classical Indian Dance in Literature and the Arts, New Delhi, Sangeet Natak Akademy.
★VEGA, Carlos, 1946, Los instrumentos musicales aborígenes y criollos de la Argentina; con un ensayo sobre las clasificaciones universales y un panorama gráfico de los instrumentos americanos, Buenos Aires, Centurión.
★VENKATARAMA Iyer, T.L., 1995, “The Scheme of 72 Melas in Carnatic Music”, The Journal of Music Academy 66 (1): 91-97, Madrás, T.S. Parthasarathy.
★VENKATARAMAN, Leela, 2002, Indian Classical Dance Tradition and Transition, N. Delhi, Roli Books.
★VENU, G., 2000, The Language of Kathakali, Trichur, Natana Kairali.
★VISWANATHAN, Lakshmi, 1984, Bharata Natyam: The Tamil Heritage, Madras, Sri Kala Chakra Trust.
★VISWANATHAN, Thanjavur, 1978, “Improvisation in South Indian Music”, The World of Music 20 (2): 140.
★VISWANATHAN, T. y HARP ALLEN, Matthew, 2004, Music in South India: experiencing music, expressing culture, New York, Oxford University Press.
★VISWANATHAN, T. & Jody CORMACK, 1998, “Melodic Improvisation in Karnatak Music: The Manifestations of Raga, en Bruno NETTL & Melinda RUSSELL (eds.) In the Course of Performance. Studies in the World of Musical Improvisation, Chicago/Londres, The University of Chicago Press, pp. 219-233.
★VISWESWARAN, R., 1986. “On Teaching South Indian Music”, The Journal of the Sangeet Natak Akademi 79: 78-81.
★VV.AA., 1998, “India”, The New Grove Dictionary of Music and Musicians (Stanley Sadie, ed.), Londres, Macmillan.
★WADE, Bonnie, 1997, Music in India. The Classical Traditions, Nueva Delhi, Manohar.
★WILKINS, W.J., [1882] 1998, Mitología Hindú, Barcelona, Colección Olimpo.
★ZARRILLI, Phillip, 1984, The Kathakali Complex: Actor, Performance and Structure, Delhi, Abhinav Publications.
★ZARRILLI, Phillip, 2000, Kathakali Dance-Drama: where gods and demons come to play, Londres, Routledge.